Ornamentalism
内容简介
Ornamentalism offers one of the first sustained and original theories of Asiatic femininity. Examining ornamentality, in lieu of Orientalism, as a way to understand the representation, circulation, and ontology of Asiatic femininity, this study extends our vocabulary about the woman of color beyond the usual platitudes about objectification. By offering us a conceptual frame through which to focus on race without being solely beholden to flesh or skin, this study alters the foundational terms of feminism and places Asian femininity at the center of an entire epistemology of race. By tracing a direct link between the making of artificial Asiatic femininity and a seemingly much more technological history of synthetic personhood in the West from the nineteenth to the twenty-first century, Ornamentalism shows how the construction of modern personhood in the multiple realms of law, culture, and art has been surprisingly indebted to this very marginal figure.
Drawing from and speaking to the multiple fields of feminism, critical race theory, visual culture, performance studies, legal studies, Modernism, Orientalism, Object Studies and New Materialism, Ornamentalism will leave reader with a greater understanding of what it is to be in American culture.
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作者简介
Anne Anlin Cheng is Professor of English and African American Literature at Princeton University. She specializes in twentieth-century literature and visual culture. She received her B.A. in English and Creative Writing at Princeton, her Masters in English and Creative Writing from Stanford University, and her Ph.D. in Comparative Literature from University of California at Berkeley. She teaches a wide range of courses in the areas of comparative race studies, aesthetic theory, psychoanalytic theory, literary criticism, law, film and gender studies, poetry and poetics.
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目录
Introduction
Chapter 1: Borders and Embroidery
Chapter 2: Gleaming Things
Chapter 3: Blue Willow
Chapter 4: Edible Pets
Chapter 5: Dolls
Coda: Chokecherry
Credits
Notes
Index
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读书文摘
Legally, it's the body that seems to tell all, when in fact it's the body's surface that speaks.
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