中国诗词曲史略
内容简介
《中国诗词曲史略》所论述的，是以汉语为表现媒介的诗词曲，在中国文化精神的影响下产生和变迁的历史。全书由上下两编构成。上编为诗歌概论，从诗字原始观念的形成、《诗经》和《楚辞》，论述到少数民族诗人和域外汉诗，在最广泛的范围中展示了中国诗学在技巧上、题材上、语言上和审美趣味上的变化；下编为词曲概论，全面考察了从诗到词、从词到曲的转折，并且比较了诗词曲在形式、内容和风格上的异同，勾勒出词曲历史的发展脉络。最后，综合诗词曲中白话因素的不断增强，指出新诗在整体上取代旧诗的历史必然。本书有两个写作重心，一是注重中国诗学初创期和转型期的讨论，包括观念和技巧、题材和审美趣味；另一个重心是注重诗歌语言的变迁，重点从这两个角度描述了两千五百年诗词曲的复杂而曲折的变迁史。
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中国拥有悠久的文学历史，如何保存、呈现这些伟大作品，描述、阐释卓越文学家的伟大创造，历代人都为之付出了巨大努力。现代学术诞生以来，又有很多外国学者加入了努力的行列，他们以各有异同的立意、视野、取材、剪裁向世人呈现了丰富多姿的中国文学的面貌。而本书的呈现，也是有其特定视角的。郑樵说“古者记事之史谓之志”，其著作追求的是“会通之旨”，意欲“总天下之大学术而条其纲目”（《通志总序》）。本书无此奢望，但也追求能将中国诗词曲当作一个整体而“条其纲目”，使普通非专业读者对于中国诗学的特征、演变、价值和意义有一基本认识。所以，本书既不刻意追求独创性，也不列举炫耀稀见文献，只是对被历代公认为“杰作”的作品以及它们之间的关系作了个人解读。
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作者简介
张伯伟，南京大学文学院教授、域外汉籍研究所所长。曾任日本京都大学、韩国外国语大学及台湾大学、香港科技大学、香港浸会大学客座教授。著有《中国古代文学批评方法研究》（2002）、《全唐五代诗格汇考》（2002）、《清代诗话东传略论稿》（2007）、《东亚汉籍研究论集》（2007）、《禅与诗学》（2008）、《作为方法的汉文化圈》（2011）、《域外汉籍研究入门》（2012）、《东亚汉文学研究的方法与实践》（2017）、《日本世说学文献序录》（2021）等；编纂《朝鲜时代书目丛刊》（2004）、《中华大典·文学理论分典》（2008）、《朝鲜时代女性诗文集全编》（2011）、《日本世说新语注释集成》（2020）等。
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目录
新版前记 ···················································································1
导 言 ······················································································5
上编 诗歌史略
第一章 “诗”字原始观念的形成及其流变 ······································11
第一节 “诗”字古义检讨 ·····················································11
第二节 “诗”的观念从宗教到人文的展开 ································13
第三节 从“诗”的早期观念看中国诗学的若干特质 ···················19
第二章 温柔敦厚和香草美人——中国诗学的初建 ····························23
第一节 春秋战国时期诗歌的地域性 ········································23
第二节 “《诗经》学”上诸概念的诠释 ···································26
第三节 《楚辞》的兴起 ·······················································41
第三章 秦汉大一统制度下的诗歌 ·················································53
第一节 秦汉文化政策及其对诗歌的影响 ··································53
第二节 乐府诗的消长 ··························································57
第三节 文人五言诗的形成与成熟 ···········································67
第四章 士人之诗与贵游之诗 ·······················································73
第一节 “五言腾踊”的建安诗坛 ············································73
第二节 士人之诗的系列及特征 ··············································80
第三节 贵游之诗的系列及特征 ··············································94
第五章 唐诗的发展 ·································································114
第一节 南北文风的交融和唐诗面貌的形成 ······························115
第二节 盛唐气象 ·······························································123
第三节 唐诗的新变局 ·························································136
第六章 宋诗的特征及其形成 ·····················································149
第一节 宋诗产生的文化背景 ················································149
第二节 宋诗的发展及其特征的形成 ·······································154
第七章 少数民族诗人的崛起 ·····················································172
第一节 辽 朝 ··································································174
第二节 金 源 ··································································177
第三节 元 代 ··································································182
第四节 清 代 ··································································188
第八章 域外汉诗总说 ······························································194
第一节 朝鲜半岛汉诗 ·························································195
第二节 日本汉诗 ·······························································206
下编 词曲史略
第九章 词体的形成 ·································································229
第一节 词体的起源音乐与文学 ·············································229
第二节 词体的形成——从《云谣集》到《花间集》 ··················231
第三节 诗词异同兼论词体的特征 ··········································236
第十章 两宋词的发展 ······························································244
第一节 从伶工之词到士大夫之词 ··········································244
第二节 慢词的创新与词境的升华 ··········································248
第三节 格律词和豪放词的发展 ·············································255
第十一章 清代词学的“中兴” ··················································272
第一节 清初词坛 ·······························································272
第二节 清词流派 ·······························································278
第十二章 散曲的形成与特色 ·····················································292
第一节 散曲的渊源与形成 ···················································292
第二节 散曲的特征 ····························································297
第十三章 散曲的发展 ······························································304
第一节 元散曲 ··································································304
第二节 明散曲 ··································································316
第十四章 从旧诗到新诗 ···························································327
第一节 传统诗词曲中白话因素的演变 ····································328
第二节 新诗的发展 ····························································335
参考文献 ················································································346
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