This was Roland Barthes's last book, combining a selection of photographs with reflections on photography. Examining the themes of presence and absence, the relationship between photography and theatre, history and death, the book begins as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, it becomes an exposition of his own mind.
Observer: "Roland Barthes' final book - less a critical essay than a suite of valedictory meditations - is his most beautiful, and his most painful"
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在這通常是單一的空間裡,有時(然可惜太少了)一個「細節」吸引住我,讓我感覺它的存在便足以改變我的閱讀,一新耳目,在我眼中像是見到一張新的相片,具有更優越的價值。遣個「細節」即是刺點(刺痛我者)。
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