While undertaking this photographic investigation of North Korea, French photographer Stéphan Gladieu (born 1969) found himself under constant surveillance everywhere he went. Because of these constraints, he managed to invent an ingenious space of freedom. Gladieu created mirro-portraits of people he encountered and was hosted by, often full length, which require a face-on pose and a direct gaze. In this way, he managed to create a form similar to North Korea’s propaganda imagery, which made his approach more comprehensible and permissible to the authorities.
Fifty years after its foundation, North Korea endures a media portrayal of war, famine, nuclear programs and military parades. Indoors, people are required to display portraits of the regime’s founder, Kim Il-sung and his son Kim Jong-Il. Family photos are not allowed; nor are personal portraits. Consequently, Gladieu’s work attains an almost historic act of intervention in the country’s visual politics.
......(更多)
1969年生,法國攝影師,現居住於布洛涅·比揚古。他的職業生涯始於1989年,作品涉及戰爭和社會問題,遍及歐洲,中亞和中東;以肖像記錄人類狀況,並通過肖像系列來專注於個人和藝術作品。出版多種攝影書籍:《非洲的未來》、《法院的芬妮特》、《法院的芬妮特》、《阿富汗人》等,多次獲國際攝影獎項。
斯蒂芬·格拉迪厄的作品探討了像片的標誌性特徵、正面性、可讀性以及真實與虛幻之間的界限。他善於以肖像記錄世界各地的人類狀況,比較注重色彩和構成,自然環境中主體與背景之間形成對比。
......(更多)
......(更多)
......(更多)