Hailed as a bold foray into new literary territory, Kawakami’s novel is told in the voice of a 14-year-old student who subjected to relentless torment for having a lazy eye. Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormentors.
These raw and realistic portrayals of bullying are counterbalanced by textured exposition of the philosophical and religious debates concerning violence to which the weak are subjected.
Kawakami's simple yet profound new work stands as a dazzling testament to her literary talent. There can be little doubt that it has cemented her reputation as one of the most important young authors working to expand the boundaries of contemporary Japanese literature.
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后来我们又聊了许多别的话题,诸如瓢虫的花纹、自行车车座的高低、水晶球,为什么钱不够的时候不能印刷,还有世界的终结。
なにかと戦ってるような気持ちになります。じっと戦ってるような、そんあ気がします。いつまでこれ、つづくんだろうなって、布団のなかで戦っています。歩きながらも戦って、そんなことを考えています。中学校生活が終わるまであと一年半もあって、そのあとふつうに進んだら、高校生活がまだ三年もあるのですね。おなじようなことがあと何年もつづくのです。
「机も花瓶も、傷はついても、傷つかないんだよ、たぶん。」 「でも人間は、見た目に傷がつかなくても、とても傷つくと思う。」
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