In Mansfield Park, first published in 1814, when the author had reached her full maturity as a novelist, Jane Austen paints some of most witty and perceptive studies of character. Against a genteel country landscape of formal parks and stately homes, the gossipy Mrs Norris becomes a masterful comic creation; the fickle young suitor Henry Crawford provides an unequaled portrait of an unscruplous young man; and the complexy drawn Fanny Price emerges as one of Jane Austen's finest achievements--the poor cousin who comes to stay with her wealthy relatives at Mansfield Park and learns how the game of love can too easily turn to folly. More intricately plotted and wider in scope than Austen's earlier works, Mansfield Park continues to enchant and delight us as a superb example of a great author's craft.
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奥斯丁,1775年12月16日生于斯蒂文顿乡一教区牧师家庭。受到较好的家庭教育,主要教材就是父亲的文学藏书。奥斯丁一家爱读流行小说,多半是庸俗的消遣品。她少女时期的习作就是对这类流行小说的滑稽模仿,这样就形成了她作品中嘲讽的基调。她的六部小说《理智与感伤》(1811)《傲慢与偏见》(1813)《曼斯斐尔德花园》(1814)《爱玛》(1815)以及作者逝世以后出版的《诺桑觉修道院》(1818)和《劝导》(1818),大半以乡镇上的中产阶级日常生活为题材,通过爱情婚姻等方面的矛盾冲突反映了18世纪末、19世纪初英国社会的风貌。作品中往往通过喜剧性的场面嘲讽人们的愚蠢、自私、势利和盲目自信等可鄙可笑的弱点。奥斯丁的小说出现在19世纪初叶,一扫风行一时的假浪漫主义潮流,继承和发展了英国18世纪优秀的现实主义传统,为19世纪现实主义小说的高潮做了准备,起到了承上启下的重要作用。
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我只回答说我衷心地祝她走运,诚挚地希望她不久能学会公正地看问题,不要非得通过惨痛的教训才能学到我们人人都可以学到的最宝贵的知识——了解自己,也了解自己的责任,说完我就走了出去。
时间总要在人们的打算与结果之间创造出一些花样,既可教育当事人自己,也好让邻居为之开心。
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