A timely and incisive portrait of a country on the tipping point After developing his acclaimed style of firsthand reporting with his bestselling graphic novels Pyongyang: A Journey in North Korea and Shenzhen: A Travelogue from China , Guy Delisle is back with The Burma Chronicles . In this country notorious for its use of concealment and isolation as social control—where scissors-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regions are effectively cut off from the world, and rumor is the most reliable source of current information—he turns his gaze to the everyday for a sense of the big picture. Delisle’s deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in outlying regions, in this place where catastrophic mismanagement and ironhanded rule come up against profound resilience of spirit, expatriate life ambles along, and nongovernmental organizations struggle with the risk of co-option by the military junta. The Burma Chronicles is drawn with a minimal line, and interspersed with wordless vignettes and moments of Delisle’s distinctive slapstick humor.
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盖·德利斯勒,1966年出生于加拿大,毕业于谢尔丹动画学院。曾于加拿大、德国、法国、中国等地的动画制作公司工作。
由于妻子服务于无国界医生组织,他与妻子和孩子经常全世界跑,拜访过缅甸、耶路撒冷、平壤等地。根据自己游历世界的经历,他创作了许多自传体的旅行报道漫画,如《缅甸小日子》《耶路撒冷》《第111天:人质手记》等,其中《耶路撒冷》更获得2012年法国安古兰国际漫画节蕞佳漫画奖。
他曾这样解读自己的作品:“我的游记多半由小故事串联而成,当我旅行时,名胜古迹并不是我唯一感兴趣的,人与人之间的相逢更让我觉得弥足珍贵。”
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