Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy or ‘kings’ – relatives of the emperors – in Ming dynasty China (1368–1644). Through an investigation of their patronage of architecture, calligraphy, painting and other art forms, and through examination of the contents of their splendid and recently excavated tombs, this innovative study puts the aristocracy back at the heart of accounts of China’s cultural and artistic histories, from which they have until very recently been excluded.
In this book, Craig Clunas sheds new light on many familiar artworks, as well as works that have never before been reproduced. Screen of Kings challenges much of the received wisdom about Ming China; new archaeological discoveries have furnished us with evidence of the lavish, spectacular lifestyles of the country’s provincial kings and demonstrate how central the imperial family was to the high culture of the Ming era.
Written by the leading specialist in the art and culture of the Ming period, this new work of scholarship illuminates a key aspect of China’s past, and will significantly alter our understanding of Ming dynastic power and relations. It will be enjoyed by anyone with a serious interest in the history and art of this great civilization.
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Craig Clunas is Professor of History of Art at the University of Oriental Studies at the University of Oxford. His previous books include Art in China (1997), Elegant Debts: The Social Art of Wen Zhengming (Reaktion, 2004) and Empire of Great Brightness: Visual and Material Cultures of Ming China, 1368-1644 (Reaktion, 2007).
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方志是通过图书行业出版和流通的,因此它使帝国中更多的人,至少是受过教育的知识精英,知道贵族的存在。虽然方志并非总由官方赞助编修,但它们构成了“官方”的一部分。也就是说,把宗藩置于社会景观之中是规定性而非描述性的。然而,宗藩之所以是明代社会景观不可或缺的一部分,是因为他们人口庞大。不同的明代作者对于哪些省份宗藩最为密集有着不同的看法。
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