Listening to Music
内容简介
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作者简介
作者：（美国）克雷格•莱特 （Craig Wright）
克雷格•莱特 （Craig Wright），1966年获伊斯曼音乐学校音乐学士，1972年获哈佛大学哲学博士，耶鲁大学音乐系教授，在该校任教已三十余年。他写有大量的学术专著和文章，内容涉及从雷奥南到巴赫的许多作曲家。他也是很多奖项的得主，包括古根海姆奖学金，美国音乐学协会的“爱因斯坦和金科迪奖”，以及国际音乐学协会的登特勋章。2004年，他被授予芝加哥大学人文学科名誉博士学位。他还与布莱因•希姆斯合著了《西方文明中的音乐》一书（汤姆森•希尔默出版公司，2006）。
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目录
Part I: INTRODUCTION TO LISTENING.
1. The Appeal of Music.
2. Rhythm, Melody, and Harmony.
3. Color, Texture, and Form.
4. Musical Style.
Part II: THE MIDDLE AGES AND RENAISSANCE, 476-1600.
5. Medieval Music, 476-1450.
6. Renaissance Music, 1450-1600.
Part III: THE BAROQUE PERIOD, 1600-1750.
7. Introduction to Baroque Art and Music.
8. Early Baroque Vocal Music.
9. Toward Late Baroque Instrumental Music.
10. The Late Baroque: Bach.
11. The Late Baroque: Handel.
Part IV: THE CLASSICAL PERIOD, 1750-1820.
12. Classical Style.
13. Classical Composers: Haydn and Mozart.
14. Classical Forms: Ternary and Sonata—Allegro.
15. Classical Forms: Theme and Variations, Rondo.
16. Classical Genres: Instrumental Music.
17. Classical Genres: Vocal Music.
18. Beethoven: Bridge to Romanticism.
Part V: ROMANTICISM, 1820-1900.
19. Introduction to Romanticism.
20. Romantic Music: The Art Song.
21. Romantic Music: Program Music, Ballet, and Musical Nationalism.
22. Romantic Music: Piano Music.
23. Romantic Opera: Italy.
24. Romantic Opera: Germany.
25. Nineteenth-Century Realistic Opera.
26. Late Romantic Orchestral Music.
Part VI: MODERN AND POSTMODERN ART MUSIC, 1880-PRESENT.
27. Impressionism and Exoticism.
28. Modernism in Music and the Arts.
29. Early-Twentieth-Century Modernism.
30. Russian and Eastern European Modernism.
31. American Modernism.
32. Postmodernism.
Part VII: AMERICAN POPULAR MUSIC.
33. American Popular Music to World War II.
34. Postwar Jazz.
35. Broadway, Film, and Video Game Music.
36. Rock: Music of Rebellion.
Part VIII: GLOBAL MUSIC.
37. The Far East.
38. The Near East and Africa.
39. The Caribbean and Latin America.
Glossary.
Index.
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读书文摘
旋律为音乐提供了一种抒情的声音，节奏给这种声音以活力，而和声则为之增加了深度和丰富性，就像绘画中的透视深度为这种艺术增添了丰富的背景那样。尽管旋律能够自身独立存在，但大多数的旋律经常需要和声这种使之丰富的伴奏来支持。旋律和和声优雅地结合在一起，一 个在上方承载着中心的乐思，另一个在下方支撑着它。
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