Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.
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对于一个作者来说,写作素材不仅仅包括他所发现的事实,更包括那些由他所处的时代和他没赶上的时代的语汇所呈现给他的事实。在文体上,如果素材适合于他的话,作者能用描摹法来表达他对于这个素材的感觉,假如不适合,那就成了拙劣的模仿。
在何处空间与结构的体系直接服务于设计,并且装饰得到独立的应用。我们称之为装饰过的棚屋。
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