What exactly are the ‘weird’ and the ‘eerie’? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The ‘weird’ and the ‘eerie’ are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The ‘weird’ and the ‘eerie’ both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.
Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie.
These two modes will be analysed with reference to the work of authors such as H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Daphne du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.
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Mark Fisher was the author of Capitalist Realism and Ghosts of My Life. He lectured at Goldsmiths, blogged at k-punk.abstractdynamics.org and wrote regularly for other publications including The Guardian. Tragically, he died in early 2017, just prior to the publication of The Weird and the Eerie.
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与怪异一脉相连的谬误感——对它无所归属的确信—— 往往是我们正在面对新事物的一个标志。这里的怪异是一个信号,表明我们过去使用的概念和框架现在已经过时了。
对外部,对常规感知、认知和经验所不能及的东西的着迷。
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